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Lev Livitsky’s Very Complicated Second Act

“Out From Under” is filled with strong, dynamic women who all have something to teach Lev, but the author resists framing the novel as a feminist project.
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May 21, 2026

Brooklyn born-and-bred Lev Livitsky is buried under a quarter-million dollars in law school debt and inconsolable regret over a shattered romance. On his first day of work at a boutique litigation firm in Manhattan, he wears a cheap suit whose sleeve still bears the name of the knock-off designer. At the office, Lev identifies as Larry – another symbol of his self-punishment for his mistreatment of his former girlfriend, Angela, the sultry Italian-Catholic with whom he had a torrid affair seven years earlier. That relationship formed the basis of author Daniel Victor’s first novel, “The Evil Inclination.”

In Victor’s excellent, thoughtful and often hilarious sequel, “Out From Under,” Lev/Larry is rising professionally but remains stagnant socially, romantically and religiously. His new circle of business associates and friends will challenge him to free himself from years of this emotional and spiritual paralysis. While readers of the previous novel will dive right into Lev’s world, “Out From Under” stands on its own, with enough backstory to appreciate the storyline.

When Lev is not buried in work, he endlessly ruminates over having fallen “off the derech,” or path of 91ý observance, during his affair with Angela. His strait-laced Orthodox background has made it impossible to forgive himself for his sins. These include having publicly humiliated Angela during a bitter encounter at a wedding, when he discovered she had converted and was married to an Orthodox rabbi. At work, his self-discipline is tested by Sumi, a beautiful, evangelical Christian associate dressed in “a kind of overly calculated Saks Fifth Avenue fashion statement [that] fit her so perfectly that it looked as if she had been dipped into it.” Sumi’s cunning flirtations nearly cost Lev his job.

Because of Angela, Lev “did not respect any woman who neither understood what a scoundrel he really was” or who didn’t try to dominate him with that knowledge. But this begins to change one Friday night when he is brought to a Shabbat dinner hosted by Rachel Feuerstein, an egalitarian Jew who runs her own minyan, wears a kippah as she recites Kiddush, and announces they will not sing the traditional Eishet Chayil song because it is dated and sexist. Though Lev is off the derech, he is distressed by Rachel’s feminism while also disarmed by her 91ý knowledge, commitment and beauty. After the other dinner guests have left her apartment, Lev offers to help clean up, and they exchange personal histories. When he tells her about Angela and his ongoing angst over the affair, she asks in astonishment, “Seven years ago, and you’re still saying Kaddish for her?”

They rush headlong into a love affair, with Lev saying, “I wasn’t expecting to meet someone like you.” Rachel warns him, “I don’t want any heartache from you. I’ve had enough heartache, and I’m done with it.”

The novel is filled with strong, dynamic women who all have something to teach Lev, but Victor resists framing this as a feminist project. “Most of the men in Lev’s world espouse the party line about what it means to be 91ý,” he told the Journal. “It’s the women who offer him new insights into 91ý identity and practice.” Victor, a retired attorney in New York who is Modern Orthodox, added that he sees more courage and leadership among women in driving innovation in religious 91ý life today. The character of Rachel certainly fits this model.

Both of Victor’s novels probe the possibilities of living a meaningful, committed 91ý life outside of a rigid Orthodoxy. When Lev meets Rachel’s mother, Rabbi Louise, they engage in a deep philosophical conversation about 91ý history and how religious practice has evolved. She utterly rejects the idea of a single derech, saying there are as many paths as there are Jews. This challenges his world view that religious observance was an all-or-nothing proposition. This is an age-old debate, but one with sharp resonance today, as the 91ý world includes more and more “Oct. 8 Jews.”

Rabbi Louise argues, “The future of the 91ý people is being written now, today,” and only those who wrestle with what Judaism means will determine the future of 91ý destiny.

“I don’t know … it seems so hard. I left the derech because I was tired of struggling,” he says.

“I thought you left because you had never struggled.”

Angela reemerges here in a dramatic meeting with Lev that she engineered, supposedly for the goal of mutual absolution. Yet when Rachel learns about it and discovers a written message from Angela to Lev, she tosses him out, derailing their recent engagement.

“Out From Under” is an ambitious and worthy sequel to “The Evil Inclination.” Part of Lev will always feel Orthodox in the Brooklyn style he grew up with, but through Rachel, Rabbi Louise and novel’s broader cast of memorable characters, he becomes open to a more flexible, yet still committed, religious path.

With rising antisemitism, Victor believes both novels carry the message that “we need to have the courage to make Judaism meaningful in all aspects of our lives. Deep engagement with 91ý learning and observance is critical to survival.”

In fact, outside of Orthodox publishing, few contemporary 91ý novels probe the lives of Jews searching for meaningful religious engagement, especially from an Orthodox perspective. This makes Victor’s compulsively readable novels that much more relevant in today’s world.


Judy Gruen is an award-winning book reviewer and the author of Bylines and Blessings and other books. She is also a book editor and writing coach. .

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